Burn A Bridge Much?


We're all guilty of venting off some steam every once in a while (especially when, say, you're book is almost two years overdue and publisher still hasn't put it out yet) and get frustrated with the system, but you have to work it to make it work for you. And part of that is to not burn your matchbox and dry twig bridge.

Collabortions


I was asked the other day by some high school students who wanted to be writers about how to go about securing collaborations. I had no clue, since I agreed to do a collab with Travis S. Taylor after we got into a huge verbal brawl about who is better, the Tennessee Titans or the Indianapolis Colts (the Colts, of course). I would recommend not fighting with any author you may want to write with. Not all of them have a good sense of humor.

What’s On Your Bookshelf?


There's a few books on my wishlist this summer that I can't wait to get. Normally, I tend to find an author that I really enjoy and stick with them religiously until either 1) They start to suck, or 2) I realize that they already sucked and I'm just slow, or 3) Author (or publisher) discontinues the series. And trust me kids, you really have to suck to earn your way to my donation bin. I can easily count just how few books have made it to the recycle bin over the past ten years. Oddly enough, they're all by the same guy...

First Amendment


This isn't going to be a helpful blog today. Well, other than a quick writing update that is. So if you're here looking for publishing and writing tips, you might want to skip this blog post today. Over at the Mad Genius Club, they have some interesting conversations going on about publishing and the creative process.

Oops…


I'm in the midst of stage managing a theatrical production right now ("The Dearly Undeparted"), so there won't be any updates for the next week. I'll get something up in the next week or two, promise.

Dat Wascawy Copee Editoh


Your best friend in publishing, next to your agent (should you have one), is not the publisher. Nor is it the guy who stands at the counter and is buying your book. It's not your mom, nor that one fan who follows you around to EVERY con you might attend. Egads, right?

In Character and Color


I found myself lying in bed yesterday, in more pain than I could possibly ever have imagined, being told by the various nurses that what I was going through was the closest thing to child birth that a man could experience. I was medicated, so maybe my next train of thought was a bit... off, but I was wondering: is personal experience a better way to understand your character's state of mind?